In the 1991 animated film Elegance and the Beast, a youthful female, Belle, dances and sings inside a magical castle where inanimate objects occur to everyday living. The forged of characters contains a French-accented candelabra and a flirtatious feather duster a matronly teapot and her son, a teacup a pendulum clock and a loud-mouthed wardrobe.
These may look like figments of animators’ imaginations, but in actuality their genesis arrives directly from the French Rococo, the ornamental and indulgent 18th-century fashion that sought to deliver levity and liveliness to the dim seriousness of the Baroque.
The parallel dreams of 18th-century Rococo artisans and 20th-century Disney animators—to inspire, delight, and awe their audiences—are the crux of the exhibition “Inspiring Walt Disney: The Animation of French Decorative Arts,” on see now at the Metropolitan Museum of Artwork.
In all, dozens of Rococo art objects from the Met’s individual treasure trove are on look at together with 150 unique artworks from the Disney Studio from a few animated films: Cinderella (1950), Sleeping Attractiveness (1959), and Elegance and the Beast (1991).
While the term “Disneyfication” tends to be employed negatively, Max Hollein, the museum’s director, writes that Walt Disney exerted an affect like couple other folks.
“It is tough to feel of any other American who has experienced as considerably-achieving and long-lasting an impression on the visible arts,” he writes.
Beneath, see illustrations or photos from the exhibition.
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