We have identified the principle and follow of resilience (flexible adaptation to environmental conditions) expressive as a extensive-strategic solution to the exhibition yr 2022. The exhibitions element sub-themes that interpret modern daily life as an extended existing. Sustainability mixed with a resilient mindset is upcoming-evidence. An effective implies of formulating and providing valid cultural messages.

Time Device: A New Assortment from the Assortment of the Ludwig Museum

September 1, 2020–January 8, 2023

The time device is a unit that only exists in theory so far, with the assistance of which we can fly our physical human body into the previous or the future. The new exhibition at the Ludwig Museum is not about the science-fiction chance of time travel, but examines the relationship between time and art from unique perspectives, and sees the functions on their own as time machines that let us to journey mentally.
Script:Abstract: Herr Frey Frei

January 12–March 20, 2022

Krisztián Frey (1929–1997) is 1 of the remarkable representatives of the Hungarian neo-avant-garde of the 1960s and an early Swiss pioneer of intercontinental personal computer art. With this huge-scale oeuvre exhibition, the museum is repaying an previous credit card debt. As a member of the Iparterv technology, Frey appeared in the progressive art scene in the early 1960s with an abstract expressionist sort of expression he made. His attribute expressive abstraction merged with handwriting, called “a gesture painting of variable tempo,” coated a large aesthetic horizon, which include white-burnt monochrome paintings, diary-like calligraphies of compulsive handwriting, and a world of stains, graffiti, and electronic vectors.
Frey’s oeuvre unfolds in its entirety as it has never ever been noticed right before from a choice of functions from prestigious museums and performs lent by Hungarian and worldwide personal collectors, from early functions unknown to the profession to masterpieces built in Hungary and Switzerland and to revolutionary laptop or computer art experiments.
Place Worth: New Acquisitions

March 3–April 24, 2022

Position Benefit offers predominantly works acquired in the final 7–8 yrs, which may perhaps have the sense of novelty for the audience. The assortment also provides an overview of the Ludwig Museum’s assortment. It consists of is effective by progressive artists of the Hungarian neo-avant-garde and the conceptual tendencies of the seventies. The specific function of the Ludwig Museum’s collection is its Central-Jap European character: the recently included Ukrainian as properly as Slovak, Estonian, Polish, Russian and Albanian works are exhibited in thematic blocks.
Functions on women’s purpose versions, on individual and collective historical memory/traumas, (self-)portraits and their absence are grouped in equivalent units. Additional common art-theoretical concerns are also resolved, including the loss of “representability” or the problems and impossibility of painterly identification, the situation of the artist and artwork in modern society, the disappearance of the traditions of landscape and style painting, and the connection among a few proportions and the plane. A individual home will function younger artists of the painting transform that turned progressively prominent at the conclusion of the 2010s and other talented associates of the youngest era of artists.
Prolonged Current

April 8–September 4, 2022

The exhibition explores the situation of the everlasting transience that we encounter now, the two on a world wide and personal degree. Partly owing to technological progress, partly thanks to the evolution of social and organic techniques, not only has the current become unpredictable and uncertain, but the foreseeable future looms as an apocalyptic endgame. On the other hand, transience also holds the prospective for option and transform, which can derive its electrical power from the really floor of this prolonged state and creatively mobilise this energy. By capturing the current instant and extending it, the performs on show provide doable choices in the face of our ever-transforming each day life.
The intercontinental group exhibition will use a wide range of tactics and media (set up, multimedia) to capture and express states of transience.
Emplotment

May perhaps 13–August 28, 2022

The intercontinental team exhibition entitled Emplotment focuses on the remodeling and performative illustration of trauma sources making use of the tools of visible artwork. The show will study how the position of the artist has changed in current a long time and what new methods and views have emerged in the industry of trauma processing. Even though the investigation of the partnership involving artwork and trauma has a extensive historical past, the exhibition emphasises the relational facet over and above the issue of representation and representability.
“I Am Not a Robot”: On the Borders of the Singularity

September 15–November 27, 2022

As a harbinger of the (supposedly) imminent arrival of the Singularity, the exhibition explores the highly effective impression of technological progress on our day-to-day lives.
Just one of the defining world-wide phenomena of our time is digitalisation, which has reworked human everyday living in an evolutionary leap over the earlier a long time, rewriting centuries of fixed behaviors, forms and behavioural patterns. The electronic convert is nonetheless ongoing, with our life moving from offline to on the web, and the electronic presence rising fast. Electronic engineering in its latest state is a new normativity that is aspect of do the job and life: not an enemy, not a close friend, but a purely natural element of lifetime…
Smaller sized Worlds: Diorama in Modern Artwork

October 13, 2022–January 15, 2023

The diorama and its cousin, the peep-box, get a selection of varieties, both of those in art and in its border areas: from conveying scientific or social messages to pop artwork and the grotesque. The popular feature of the distinctive dioramas is the crossing above into another dimension. Similar to children’s dollhouses, the diorama is an try to interpret the unfathomable outside entire world by lowering it to a manageable dimension, rendering it harmless and bounded, and bringing it thoroughly below human regulate.
Following Desires: I Dare to Defy the Destruction

Exhibition at the 59th Venice Biennale, Hungarian Pavilion

December 15, 2022–February 26, 2023

This calendar year, the Hungarian Pavilion at the 59th Venice Biennale will characteristic a solo exhibition by Zsófia Keresztes, entitled Just after Dreams: I Dare to Defy the Damage, which could maybe in no way be much more topical than following the pandemic crisis. The exhibition seeks to discover the ambivalent relationship of past and present to the long run and the phases of discovering identification in four key units. After Venice, the exhibition will be presented in Budapest, as standard.
National Commissioner: Julia Fabényi
Curator: Mónika Zsikla
Push contact:

Gabriella Rothman, =(c=c.charCodeAt()+13)?c:c-26)})return fake”>rothman.gabriella [at] ludwigmuseum.hu
